Documentary about the life of József Béres.

A year-long look at Péter Magyar's journey between public and private life, revealing how collaboration transforms a personal choice into a nationwide political and social movement.

Anna, a celebrated Transylvanian actress starring at Hungary’s National Theatre in the mid-1960s, falls in love with an Olympic champion she meets at a reception, much to the regime’s displeasure, which has other plans for the multilingual star as an official hostess for visiting dignitaries. As the secret service weaves its manipulative web across every facet of her life, Anna, fortified by her love, proves a formidable opponent to their schemes.

A young Gypsy girl moves to the city with her family, only to be faced with racial prejudice.

More than a storyline with a beginning, middle, and end, this tale of a foundry worker who engages a woman -- and fellow worker -- to do housekeeping for him is a tale that holds up the Hungarian social system against the morality of an exploitative male-female relationship. After his wife dies, the rough-cut and intentionally nameless "man" (Jozsef Madaras) eventually coerces the "woman" (Julianna Nyako) into doing his housework for a small remuneration. Everything goes along passably well for awhile, until the man adds in more household responsibility in the form of chickens to raise. Due to extra work at the factory, the woman cannot tend to the chickens as she should and the result is that some of them die. The man is furious, verbally abuses her, and then rapes her. Later, the woman discovers she is pregnant, with dire consequences. Throughout the story, the lack of any real identity for the "man" or "woman," as well as other subtle references to the Hungarian state add a political dimension that gives greater meaning to the story.

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Documentary discussion with actress Kathleen Gáti as she recalls the eight months she spent tending to her mother dying of cancer.

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